African American Folklore Performance

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The Vernacular Tradition

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Hoodoo Priestess Marie Laveau ( photo credit ). "In African American literature, the vernacular refers to the church songs, blues, ballads, sermons, stories, and, in our own era, hip-hop songs that are part of the oral, not primarily the literate (or written-down) tradition of black expression. What distinguishes this body of work is its in group and, at times, secretive, defensive, and aggressive character: it is not, generally speaking, produced for circulation beyond the black group itself (though it sometimes is bought and sold by those outside its circle)" As Gates' definition suggests, the Vernacular encompasses the cultural creations of African Americans not simply as a form of catharsis or self-expression, but as a means of resistance. African American folk expression has been defined by scholars as "double-voiced," indicating that folk songs, sermons, jokes, and other modes of expression retained a meaning for the culture--and a separate mean...
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The Cult of Domesticity

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The Cult of Domesticity--or, more pejoratively-- The Cult of True Womanhood , to the codification of social, sexual, and moral behavior for women in the 19th Century from 1820 until 1860.  It was Catherine Beecher, sister to Harriet Beecher Stowe, who identified the four pillars of virtue that would hold women to behavioral convention and keep them under masculine control.  By referring to this set of beliefs as pertaining to a "cult" reveals the depth of its impact on women's lives. Below are the four pillars of modest behavior, expected of all women of the middle class.  Piety : As Victorian society was divided into separate spheres--that of men (exterior world of business and work); and that of women (the home), 19th century women were thought to represent the 'heart' of the Victorian home, and therefore were believed responsible for embodying Christian asceticism, faith, modesty, and were entrusted with the religious instruction of children. Purity :...
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Harriet Jacobs, aka, Linda Brent: A Woman's Story of Slavery

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from docsouth.unc.edu "...I do earnestly desire to arouse the women of the North to a realizing sense of the condition of the two millions of women at the South, still in bondage, suffering what I suffered, and most of them far worse. I want to add my testimony to that of abler pens to convince the people of the Free States what Slavery really is. Only by experience can any one realize how deep, and dark, and foul is that pit of abominations. May the blessing of God rest upon this imperfect effort in behalf of my persecuted people" (Jacobs 281). Harriet Jacobs was born in Edenton, North Carolina in 1813 to Elijah Knox and Delilah Horniblow, both slaves. In accordance with the edict of the time, Harriet and her brother, John "followed the condition of their mother" in slavery. After Delilah died when Harriet was a mere six years old, the little girl went to live with her mother's mistress, Margaret Horniblow. The white mistress taught Harriet to read, a...
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