The Harlem Renaissance: Some Major Figures

Alain Locke The first African American Rhodes Scholar, a graduate of Harvard University, and one of the major anthologists of the Harlem Renaissance, Alain Locke edited and published The New Negro in 1925. This anthology, which reflects the social and political contexts of the Harlem Renaissance, also distills the spirit and varied talents of Harlem Renaissance poets, dramatists, essayists, and short story writers. Considered one of the preeminent texts of its time, The New Negro conceived of black America as linked not only to other African-based cultural movements around the world but also to other movements, such as the Irish or Czech, that fused ethnic pride or nationalism with a desire for a fresh achievement and independence in art, culture, and politics" (Gates 957). Charlotte Osgood Mason Charlotte Osgood Mason was one of many white patrons who subsidized the careers of such artists as Zora Neale Hurston, Langston Hughes, and Alain Locke. Co...