Go There To Know There

Photo from The Academy of American Poets Langston Hughes (1902-1967) was one of the most beloved and celebrated poets of the Harlem Renaissance. Among his many contributions, Hughes helped to "define the spirit of the age" by underscoring the connections among multiple expressive forms--namely poetry's kinship to jazz--of the era. As our text explains, Hughes's autobiography, The Big Sea offers a rare, first-hand account of the scenes, sights, and happenings of one of the most important eras in African American literary--and cultural--history (Gates et al. 1289). Born in Joplin, Missouri, Hughes hailed from an illustrious family line: as Gates points out, Hughes was the grandson of a prominent Kansas politician; and his brother, John Mercer Langston, was, among other things, "founding dean of the law school" at Howard. Despite his auspicious family tree, Langston grew up in Lawrence, Kansas, in virtual poverty. In the years that followed, Hughes wo...

Rudolph Fisher (1897-1934) is considered one of the most admired intellects and beloved figures of the Harlem Renaissance. A 'renaissance man' in the fullest sense of the term, Fisher's complex and varied talents enabled him to excel as a writer, musician, and medical doctor. Born in Washington, D.C., Fisher grew up in Providence, Rhode Island where he attended Classical High School. From there he attended Brown University, where he majored in both English and Biology. In his address to his graduating class at Brown, Fisher's words conveyed the young man's ability to integrate matters belonging to both the spiritual world and the world of science. Brown University's website quotes its alumnus as having deftly observed the twin purposes and development of science and faith. He noted that "As thinking Christians, we strive not to bring men to heaven, but to bring heaven to men, and with that the aim of science is identical. It is this oneness of purpose t...

Alain Locke The first African American Rhodes Scholar, a graduate of Harvard University, and one of the major anthologists of the Harlem Renaissance, Alain Locke edited and published The New Negro in 1925. This anthology, which reflects the social and political contexts of the Harlem Renaissance, also distills the spirit and varied talents of Harlem Renaissance poets, dramatists, essayists, and short story writers. Considered one of the preeminent texts of its time, The New Negro conceived of black America as linked not only to other African-based cultural movements around the world but also to other movements, such as the Irish or Czech, that fused ethnic pride or nationalism with a desire for a fresh achievement and independence in art, culture, and politics" (Gates 957). Charlotte Osgood Mason Charlotte Osgood Mason was one of many white patrons who subsidized the careers of such artists as Zora Neale Hurston, Langston Hughes, and Alain Locke. Co...