African American Folklore Performance

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The Vernacular Tradition

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Hoodoo Priestess Marie Laveau ( photo credit ). "In African American literature, the vernacular refers to the church songs, blues, ballads, sermons, stories, and, in our own era, hip-hop songs that are part of the oral, not primarily the literate (or written-down) tradition of black expression. What distinguishes this body of work is its in group and, at times, secretive, defensive, and aggressive character: it is not, generally speaking, produced for circulation beyond the black group itself (though it sometimes is bought and sold by those outside its circle)" As Gates' definition suggests, the Vernacular encompasses the cultural creations of African Americans not simply as a form of catharsis or self-expression, but as a means of resistance. African American folk expression has been defined by scholars as "double-voiced," indicating that folk songs, sermons, jokes, and other modes of expression retained a meaning for the culture--and a separate mean...
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The Cult of Domesticity

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The Cult of Domesticity--or, more pejoratively-- The Cult of True Womanhood , to the codification of social, sexual, and moral behavior for women in the 19th Century from 1820 until 1860.  It was Catherine Beecher, sister to Harriet Beecher Stowe, who identified the four pillars of virtue that would hold women to behavioral convention and keep them under masculine control.  By referring to this set of beliefs as pertaining to a "cult" reveals the depth of its impact on women's lives. Below are the four pillars of modest behavior, expected of all women of the middle class.  Piety : As Victorian society was divided into separate spheres--that of men (exterior world of business and work); and that of women (the home), 19th century women were thought to represent the 'heart' of the Victorian home, and therefore were believed responsible for embodying Christian asceticism, faith, modesty, and were entrusted with the religious instruction of children. Purity :...
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The Literature of Slavery and Freedom

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" The engendering impulse of African American literature is resistance to human tyranny. The sustaining spirit of African American literature is dedication to human dignity. As resistance to tyranny and dedication to human dignity became increasingly synonymous with the idea of America itself in the latter half of the eighteenth century, early African American writers identified themselves as Americans with a special mission. They would articulate the spiritual and political ideals of America to inspire and justify the struggle of blacks for their birthright as American citizens. They would also demand fidelity to those same ideals from whites whose moral complacency and racial prejudices hand blinded them to the obligations of their own heritage" (Gates et al. 151). In his introduction to "The Literature of Slavery and Freedom" (Norton), Dr. Henry Louis Gates, Jr. points out many of the key issues facing the earliest African American writers of the eighteenth ...
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